Music! Everyone loves music. Lists! Everyone loves lists. Hit the deck. Jamie xx, In Colour The first time I heard this album, I was biking home way too late through one of those glorious, infernal, motionless, 100-degree California summer nights, heading back from some barbecue or river party or something, and I was probably a little sweaty and drunk, and the opening bumps of “Gosh” came on, and everything just kinda clicked, like one of those hokey scenes from teen movies, except this movie has Young Thug in it, which made everything even better. -Patrick Redford Noel Gallagher’s High Flying Birds, “You Know We Can’t Go Back” Another brilliant, fundamentally sound rock song from England’s Most Charming Asshole. -Drew Magary Justin Bieber, “Sorry” Where are you now? What do you mean? Is it too late now to say sorry? Justin Bieber’s greatest musical triumphs of 2015 were powered by the same sort of polite confusion that has defined the second half of my very own year. His tribulations are far more enjoyable, though. Like any decent tween heartthrob, Bieber’s earnestness comes threaded through the sort of slack-jawed, doe-eyed lens of puberty that makes you say, “Aw!” What do you mean when you don’t want me to move, but you tell me to go? Oh man, that’s so rapey! Biebz, babe, lemme teach you about consent! Where are you now that I need you? Babe! When you saw one set of footprints in the sand, that’s when I was carrying you in my arms at rave-church! I’ve been here the whole time. I’m RIGHT HERE. Is it too late now to say sorry? Aw! Are those the first signs of a mustache! You’re too young for me to stay mad at you! What a lovable, idiotic goon. But the baby can sing. Truly, Bieber has been a breath of fresh air in a year when it was hard to pull radio dance-pop free from the tropical trash-wave that drowned out everything else. While Lite-EDM persisted at the hands of Disclosure, Calvin Harris, Mr Probz, and Robin Schulz, Bieber helped a handful of ex-ravers and global scavengers (Skrillex, Diplo, and Blood Diamonds) beat out the one-hitters and their more predictable productions. And there’s something satisfying in knowing the smarts that went into your favorite, family-friendly pop songs, like how that the fluttering flute riff on “Where Are Ü Now” was revealed to be a manipulated Biebz vocal. ( For reference!) Or that “Sorry,” which could have ended up being a ballad in less intuitive hands, was the most masterful use of reggaeton in pop since the dawn of moombahton a few years ago. It’s here that I’ll say that Jamie xx’s In Colour was the best dance album of the year, hands down, no question about it. The best dance song, however, is the one that makes you want to stop everything and do just that: dance. “Sorry” is that song. -Puja Patel Weaves, Live So sometimes you’re at a concert, and maybe it’s just because you’ve got the exact right number of beers in you, or maybe it’s because you are just feeling particularly good that night, but you end up feeling like the performance you just witnessed was A Moment. That’s how I felt when I saw Weaves, a band I’d never heard of before, rip shit up in a small, back-room venue at this year’s CMJ Music Marathon in NYC. Weaves, a four-piece rock band from Toronto that meanders between mid-tempo haze and full-throttle walls of noise, spent 45 minutes exerting its ownership over everyone in attendance. They were led by singer Jasmyn Burke, a teasing, off-kilter performer who never stopped working the room, and who plays like a downshifted Karen O. About 15 minutes into the set, I started to feel bad for the bands that had been onstage before, because nobody was going to remember them. After about 30 minutes, I started to feel bad for the audience—we’d come for a cheap weeknight out, and were about to be sent back into the world with no faces, for our faces had been rocked off. Anyway, you should check out some Weaves jams; I’ve grown particularly fond of the stripped-down cover of One Direction’s “Drag Me Down” above. They should have an album out sometime in 2016, and you can bet your life that if they hit it big, I’m going to spend the next 10 years being that extremely annoying guy who says, “Oh, Weaves? Yeah, man, I saw them in the back of a little bar in New York before they were big [fart noise] [fart noise] [something about authenticity]” every time they come up at a party. -Tom Ley Mdou Moctar This year, I discovered the music of Mdou Moctar, a Tuareg guitarist based in Niger. He’s the star of a movie that came out this year called Akounak Teggdalit Taha Tazoughai—which translates to Rain the Color of Red with a Little Blue In It—that is reportedly the first feature film produced in the Tuareg language. Based on both the title and the trailer, you can easily figure out that it’s a remake of Prince’s Purple Rain, only set in West Africa. But Moctar is deserving of the lead role, as both his stage presence and technical skill evoke the Purple One. He just completed a tour of Europe, and if more people see this remarkable film, it’ll hopefully lead to him playing some shows in the U.S. He’s absolutely worth it. -Tim Burke Future One of the happiest moments I’ve had this year was when I first pressed play on Drake and Future’s What a Time to Be Alive, and “Digital Dash” welcomed me with the tag, “Metro Boomin want some more, nigga.” Then I heard Future’s gritty, slurry voice as the rapper ad-libbed his way onto the tempo, and then Metro dropped that bass right on my fucking head, and for two and a half minutes, I was alone with the two of them. In January, Future released Beast Mode, which is one of the best mixtapes of the year, along with 56 Nights, which he dropped two months after that; in July, he offered the “official” album DS2, the best rap album of the year that doesn’t reach for a Willie Lynch letter reference. September’s surprise release of WATTBA, the most hyped musical collaboration of the year, felt like a coronation. Over the last year, Future has cemented himself as one of the best rappers alive, while his muse, Metro Boomin, has separated from the rest of the pack of Atlanta producers. The two artists have shaped each other, no longer merely existing within the confines of Atlanta trap, but embodying it. There are too many bangers across the four projects to name, but what they all have in common is that they’ve tended to leave me in a conundrum. Metro Boomin produces beats that consistently have me almost moshing on the subway on the way to work, or looking for a partner with which to dance and belt out lyrics at the bar, even though the stories that Future provides once he settles in are haunting and solitary. Future is relatively meat and potatoes lyrically, covering all the run-of-the-mill rap shit—drugs, girls, gunplay, money, and jewelry—but he never flat-out glorifies any of it. Instead, he warbles his way from subject to subject like a drunk, because he probably is. When he talks about drinking gallons of Actavis—or simultaneously fucking real actual blood sisters, or cooking crack, or shooting people, or mourning lost love—he lends each equal weight, and his voice is scarred with memories of a past that he hasn’t yet escaped. Over the last year, there’s been more urgency to his songs, more to take in, than any other rapper’s. The stakes feel higher in Future’s songs, and simply dancing to his songs like they’re run-of-the-mill club bangers can feel almost vulgar. If not more talented than Drake, Future is deeper, more textured, and more important. It was obvious that flying down to Atlanta to record What a Time to Be Alive was Drake’s attempt to trade on Future’s momentum and depth, but for the first two and a half minutes of the mixtape, I was alone with Future and his producer as he slid drunkenly from subject to subject, never lingering on any of them. Eventually, Drake came in, rapping beautifully about having cool friends, petty haters, pretty girls, and lots and lots of money, and the mixtape turned into something much less than what it could and should have been. But I’ll always have those first two and a half minutes, and he’ll always have last year. -Greg Howard This CD Someone On Twitter Claims He Found In The Road I looked up the actual song ( “Move Mountains,” by Alkaline) and tried listening to the entire track, but it wasn’t the same. It’s so much better this way. -Samer Kalaf Carly Rae Jepsen, “Run Away With Me” I want this song played at my funeral. I’d also like my burial plot fitted with a motion-sensor device so that this song starts playing if you get within 10 feet of my headstone. And when the trumpet sounds and the Rapture commences and the Lord bids all the dead to rise once more, I will burst from my grave bearing a gilded saxophone and honking out the intro riff, until everyone in Heaven is sick of my bullshit and I get kicked out and I have to convince my wife to voluntarily leave with me, and this song will convince her, because that is the title of the song, and verily it is The Jam. -Rob Harvilla Young Thug, The Bleak 2 Young Thug probably released more than 200 songs this year. Most of those came via random blog-circuit one-offs, barely announced mixtapes, and a series of massive leaks from the Thugger vault. But that haphazard approach is what makes him such a thrilling act to follow, underscoring the impossibly prolific, seemingly offhanded genius that’s actually a direct result of probably the most singularly focused and dedicated work ethic in the business. And it mirrors his own hushed, screeching, hyperactive, laconic voice—which often dips and peaks and sways through the whole gamut within a single verse. It’s almost irrelevant to talk about single collections of work with a rapper like this, but I’d still point to one 17-track chunk unofficially called The Bleak 2 as perfectly indicative of Thug’s Amazing Technicolor Dreamcoat. Songs like “Beast” and “Hey I” take the (relatively) more restrained approach he was tinkering with on this year’s more “official” album Barter 6 and improve on it. (Those two songs also underscore downright sweet he can be, in his own way: Thug raps about going down on his girl the way the Beatles sang about holding hands with theirs.) “Spaghetti,” “Freaky,” and “Keep It Leave” flaunt the unhinged, gothic, “alternate-universe ‘Thriller’ video” style fans might remember from the 1017 Thug era. This collection even has the cheery, anthemic “Proud of Me” (YouTube only has the inferior chopped and screwed version, but whatever), which calls to mind the wave Thugger was riding back in the I Came From Nothing 2 days. That’s the best thing about The Bleak 2: It proves that while Thug is capable of donning, flaunting, and then shedding whole new lyrical styles and sounds as brilliantly and casually as he does his new wardrobes ( his Instagram is still required viewing, by the way), he never completely abandons them. They always remain in his head, rhythms and cadences and sounds that he can and will return to when the mood strikes. It may seem like a chore to some, juggling all those disparate guises, but to him, it’s all just part of the fun. -Billy Haisley The Weeknd, Beauty Behind the Madness There’s something a little drunk, a little sneering, a little sad about the Weeknd’s “The Hills,” right down to the fuzzy lyric “when I’m fucked up, that’s the real me.” This isn’t a song glorifying sex, and yet it sounds exactly like sex: dark, messy, and a little screwed up. The whole of Beauty Behind the Madness rolls on like this, through lyrics that at times brag, at times succumb to the hangover, all of it sounding nothing like Song Sex and exactly like Actual Sex. There’s regret all over this album, and yet I regretted nothing about listening to it so much this year. -Diana Moskovitz Eagles of Death Metal, “Complexity” How you evaluate any piece of music as “the best” or even “good” depends largely on what you want from it, and the vast majority of my music is background: a soundtrack to writing or commuting, or getting wasted and dancing to. I want something fun. No song could possibly have been any more fun than Eagles of Death Metal’s “Complexity,” a bass-driven, bluesy, floor-stomping, shit-kicking, delightfully self-aware piece of kitsch that Steve Miller is kicking himself for not having written. It’s the perfect standard-bearer for the Eagles’ dirty retro-simplism, an ethos where the riff is the point, and if a song can’t be clapped along with, it’s not a song worth performing. The vibe may be cartoonish, but there’s real musicianship here, and what appears for all the world like genuine appreciation for giving listeners a good time. Sometimes, that’s everything you need. -Barry Petchesky Bea Miller, “Force of Nature” Pop tween Bea Miller’s music is mostly indistinguishable from other pop tweens’ music, and with a few vocal tweaks, her sophomore album, Not an Apology, could be the sophomore album of any one of a handful of young pop stars. But right there, smack dab in the middle of all those syrupy-sweet clichéd love songs and overwrought breakup anthems, is a track with an extremely apt title. “Force of Nature” is also a syrupy-sweet clichéd love song, but one that demonstrates why the form is so alluring in those rare instances when someone gets it right. It trades in the full pop ensemble for a stripped-down acoustic guitar, and showcases the immense range and beautiful rasp of Miller’s voice. The beat of the guitar drives the song forward while leaving enough room for mournful rumination, and in the chorus, Miller hits bewitching, ethereal high notes I didn’t know existed. It’s too bad the rest of the album is so forgettable. -Kevin Draper Essential Logic on John Peel Essential Logic, one of my favorite-ever bands, didn’t even record 20 songs, but I never paid any attention to Peel sessions, poorly recorded live shows, and the like before this year, just because what they did record is so good and so unlike anything else that I didn’t really want to hear anything—say, performances where they sounded like just some band—that might take away from it. This was, in retrospect, a pretty silly thing to be worried about. -Tim Marchman Relatedonline betting payment methodswhich betting sites use paypalwhich sportsbooks use visaneteller betting onlinewhich betting site accepts skrillapple pay
Related Posts
Erik ten Hag wants Marcus Rashford to commit his future to Manchester United, who the Dutchman is aiming to turn into the best team in world football.
Rashford has scored eight goals in the last eight games and is United s top scorer this season.
The England international is averaging a goal every 124 minutes, having netted 17 in 28 appearances from 12.8 expected goals (xG).
Rashford s deal is up in 2024, but Ten Hag is confident a new contract will be agreed.
This is the best place to be because we want to construct the best team – first in England, then Europe, then the world, said Ten Hag ahead of Wednesday s EFL Cup semi-final first leg against Nottingham Forest.
It is confidential, talks between clubs and players, [but] he understands Man…
Spain will head into Sunday s Euro 2008 final against Germany here confident that they have overcome the mental fragility that has so often dogged them in the past.
Footballing failures following quickly on from the bounding hope that preceded them had become so synonymous with the Spanish national team that the phrase perennial underachievers became an almost permanent prefix to the word Spain .
Before this tournament it had been 24 years since Spain progressed beyond the quarter-finals of a competition and yet they banished that hoodoo with a nervy penalty shoot-out victory over world champions Italy in the last eight here in Vienna.
After a slightly cagey first half against Russia, Spain opened up after the break to let their football flow and they are fin…
Liverpool forward Diogo Jota has revealed he idolised Portugal team-mate Cristiano Ronaldo when he was a youngster.
Jota, 24 on Friday, is just under 12 years younger than Juventus star Ronaldo and while growing up was in awe of a player he now features alongside at international level.
The two players have both been in fine form for their club sides this season – Jota has scored nine goals in 15 appearances in all competitions for the Premier League champions.
Ronaldo, meanwhile, has managed nine goals in seven games for the Serie A title holders.
Jota told The Athletic: My earliest memories are from the Euro 2004 when Portugal reached the final and unfortunately we lost. I was seven and I remember it well.
Cristiano Ronaldo was my hero. At th…
Arsenal have been recently linked with a move for Russian playmaker, Andrei Arshavin. But, with Zenit St Petersburg s evaluation of Arshavin putting him out of the reach of most clubs, Arsenal might now turn their attention to another Russian star.
Yuri Zhirkov has had an equally outstanding Euro 2008 campaign and his agent suggested that the club might want to put the player up for sale as he is at the peak of his market value.
Zhirkov will be in demand everywhere in England, Germany, Italy and Spain.
Today, Yuri is one of the strongest players in the world in his position.
If CSKA want to sell for a peak price, they need to do so now. Said Zhirkov s agent, according to Setanta Sports.
The report went on to say that the Arsenal would be one o…
Stoke City have parted company with Mark Hughes after a prolonged slump in form under the Welshman left them fighting against Premier League relegation.
Hughes was in charge at the bet365 Stadium for four and a half years, leading the Potters to three successive ninth-place finishes in the top flight.
However, they finished 13th last term and have slipped to 18th in 2017-18, having won only one of their last seven league matches.
Saturday s 2-1 FA Cup third-round defeat to League Two side Coventry City Hughes 200th game in charge proved the final straw for the Stoke hierarchy, with the former Blackburn Rovers and Manchester City boss relieved of his duties soon after.
CLUB STATEMENT: Stoke City can confirm that the contract of manager Mark Hughes h…
Competition: La Liga
Market: Celta Vigo to beat Real Betis
Odds:
La Liga returns for a massive round of matches as the competition continues to heat up. Every side will be desperate to pick up all three points from their next game as a won can quite often see a side rise a number of places as the table is so tight. With this in mind, Celta Vigo host Real Betis on Monday.
Celta Vigo have been in fairly good form this season and they are looking to take a European place for their next campaign. After 20 games they have won eight, drawn four and lost eight, scoring 35 goals and conceding 28 times. In their last five they have won three, drawn once and lost once which has seen them onto 28 points for the season so far. Celta are currently four po…
Harry Redknapp is determined to avoid the same mistakes that saw QPR relegated from the Premier League in April 2013.
Redknapp replaced Mark Hughes as manager at Loftus Road in November 2012, but was unable to prevent the London side from dropping down to the Championship.
However, QPR secured an immediate return to the Premier League when Bobby Zamora scored a dramatic late winner in a 1-0 triumph over Derby County in last month s play-off final at Wembley.
QPR completed a host of high-profile signings the last time they graced the top flight, but Redknapp is planning on a different strategy during his transfer window recruitment drive.
We need to make sure we get the balance right when it comes to new players, he told the club s official website.
We ll ne…
Marseille attacking midfielder Mathieu Valbuena has signed a new long-term contract at the club, which will keep him at the Stade Vélodrome until the summer of 2017, .
Valbuena, 28, had been linked with the likes of Atletico Madrid, Arsenal and Fenerbahce, with reports suggesting that the Turkish giants came closest to winning the race for the Frenchman.
The France international has effectively extinguished any exit rumours by putting pen to paper on a new long-term deal with Marseille.
I am delighted to sign a contract with Marseille, said Valbuena.
Fernerbahce wanted me but they could not agree with Marseille.
I will play for this great club any time they need me.
Valbuena, who joined Olympique de Marseille on a thr…
Tottenham have rested Dele Alli, Harry Kane, Jan Vertonghen and Serge Aurier for their Champions League meeting with Bayern Munich on Wednesday.
Jose Mourinho announced after the 5-0 victory over Burnley on Saturday that star striker Kane would not be making the trip to the Allianz Arena for a dead rubber in Group B.
It was confirmed on Tuesday that Alli, Vertonghen and Aurier will also remain in the United Kingdom ahead of a trip to Wolves on Sunday.
Troy Parrott is reportedly set to lead the line in Munich for Tottenham, who are guaranteed to finish second behind leaders Bayern.
Hugo Lloris, Ben Davies, Erik Lamela, Tanguy Ndombele, Michel Vorm and Harry Winks are still sidelined.
TEAM NEWS:
, , and have not travelled to Munich and wi…
Everton are set to make the first move for Carlo Ancelotti.
The Toffees will reportedly begin talks with the Italian following his departure from Napoli on Tuesday.
Ancelotti was sacked three hours after a 4-0 win over Genk, which confirmed the Serie A club s place in the Champions League knockout rounds.
TOP STORY – EVERTON TO RIVAL ARSENAL FOR ANCELOTTI
Everton will waste no time in opening contract talks with free agent Ancelotti in the wake of his Napoli exit, according to Sky Sports.
Managerless Arsenal are also said to be considering the 60-year-old former Chelsea, Milan and Real Madrid boss as a possible replacement for Unai Emery.
But the Toffees could get the jump on their Premier League rivals after Shanghai SIPG s…